Michael Finnissy at 70: The Piano Works (3)

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Date/Time
Date(s) - 27/05/2016
6:00 pm

Location
Performance Space, City University


Concert 1, 18:00
Svatovac (1973-74)
Three Dukes Went A-Riding (1977, rev. 1996)
To & Fro (1978, rev. 1995)
We’ll get there someday (1978)
Terrekeme (1981, rev. 1990)
Taja (1986)
Hikkai (1982-83)
Cozy Fanny’s Tootsies (1992)
John Cage (1992)
Five Yvaroperas (1993-95)
Tell-Dirais (1996)
Vanèn (1991)
all.fall.down (1977)

Concert 2, 19:15
Folklore I-IV (1993-94)

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The centre piece of the third concert in Ian Pace’s Finnissy series is the 70 minute cycle from the early 1990s, Folklore. This work takes its initial cue from what Finnissy himself describes as ‘Gramsci’s imperative to compile an inventory of the ‘infinity of traces’ that historical processes leave on ‘the self’.’ The work navigates its way through a variety of ‘regions’, defined in terms of their musical folklore (Norwegian, Rumanian, American, etc.), interspersed with extended passages imitating Scottish piobaireachd, as well as the African-American spiritual ‘Deep River’, and also intercut with moments of extreme passion and violence, as well as allusions to early influences, representing the composer’s own personal ‘folklore’. The early evening concert contains a series of other pieces taking their cue from folk music (Macedonian, Azerbaijani, Sardinian, Australian Aboriginal), a series of three pieces all revised from his earlier (now withdrawn) Piano Studies, and a few more portraits or tribute pieces, including a series of five in memory of the late pianist Yvar Mikhashoff. There is also a very rare chance to hear one of Finnissy’s most pianistically demanding pieces, the hyper-virtuosic all.fall.down.